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␈↓ α∧␈↓␈↓ ε↔86␈↓ 
T


␈↓"β␈↓ α∧␈↓attributable␈α≤to␈α≤a␈α≤low␈α≤percentage␈α≤of␈α≤simple␈α≤tonic␈α≥(or␈α≤even
␈↓ α∧␈↓dominant)␈α∀functions␈α∃within␈α∀rapidly␈α∀changing␈α∃temporary␈α∀tonic
␈↓ α∧␈↓areas.

␈↓"β␈↓ α∧␈↓␈↓ αdDespite␈α≤the␈α≤complications,␈α≠our␈α≤analysis␈α≤will␈α≤show␈α≠the
␈↓ α∧␈↓simplicity␈α⊃of␈α⊃the␈α⊃largest␈α⊃harmonic␈α⊃design␈α⊃in␈α⊃this␈α⊃variation.␈α⊃ All
␈↓ α∧␈↓the␈αalternating␈αprogressions,␈αsubstitute␈αfunctions,␈αand␈αwhat␈αhave
␈↓ α∧␈↓you,␈α≠serve␈α≠only␈α≠as␈α~very␈α≠special␈α≠elaboration␈α≠of␈α≠the␈α~various
␈↓ α∧␈↓temporary␈α∂tonics,␈α⊂which␈α∂in␈α⊂turn␈α∂contribute␈α⊂to␈α∂the␈α⊂definition␈α∂of
␈↓ α∧␈↓the control tonics ␈↓&I␈↓)αβ ␈↓&V␈↓)αβ ␈↓&I␈↓)αβ ␈↓&iv␈↓)αβ ␈↓&I␈↓)αβ.
␈↓"β
␈↓"β␈↓ α∧␈↓Figure 77e.  The complete variation.
␈↓"β␈↓ α∧␈↓␈↓ βC␈↓¬⊂⊗⊃L[%0.03,%-5.85]:N77FE.PLT[HHA,LCS]⊂⊗⊃␈↓
␈↓ α∧␈↓␈↓ ε↔87␈↓ 
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␈↓"β␈↓ α∧␈↓␈↓ αdIn␈α∞this␈α∞chapter␈α
many␈α∞new␈α∞elements␈α
have␈α∞been␈α∞added␈α∞to␈α
the
␈↓ α∧␈↓analytical␈α≥diagram.␈α≡ One␈α≥must␈α≥always␈α≡be␈α≥on␈α≡guard␈α≥against
␈↓ α∧␈↓overloading␈α∩the␈α∩analysis␈α⊃with␈α∩non-essential␈α∩detail.␈α∩ When␈α⊃new,
␈↓ α∧␈↓and␈αpossibly␈αconfusing␈αindications␈αare␈αadded␈αto␈αthe␈αbasic␈αdiagram,
␈↓ α∧␈↓great␈α∪care␈α∪should␈α∪be␈α∩taken␈α∪that␈α∪the␈α∪music␈α∪under␈α∩consideration
␈↓ α∧␈↓really␈α_warrants␈α_their␈α_use.␈α_ Especially␈α_for␈α_the␈α_performer,␈α_the
␈↓ α∧␈↓potential␈α∪danger␈α∪of␈α∪too␈α∪much␈α∪attention␈α∪to␈α∪detail␈α∪in␈α∪analysis␈α∩is
␈↓ α∧␈↓probably greater than the danger of over-simplification.
␈↓"β␈↓ α∧␈↓␈↓ ∧4_______________
␈↓"β
␈↓"β␈↓ α∧␈↓Exercises for Chapter VI

␈↓"β␈↓ α∧␈↓␈↓ αdAnalyze␈α⊗the␈α∃following␈α⊗works.␈α⊗ Although␈α∃a␈α⊗great␈α⊗deal␈α∃of
␈↓ α∧␈↓chromaticism␈α_is␈α_involved␈α_in␈α→these␈α_excerpts,␈α_not␈α_all␈α→of␈α_them
␈↓ α∧␈↓contain alternating progressions.
␈↓"β
␈↓"β␈↓ α∧␈↓        1.  Chopin, Mazurka #1, in f␈↓βS␈↓, Op.6, #1, first 16 bars.
␈↓"β
␈↓"β␈↓ α∧␈↓        2.  Chopin, Mazurka  #6, in a,  Op.7,  #2, first 32 bars.
␈↓"β
␈↓"β␈↓ α∧␈↓        3.  Chopin, Mazurka #11, in e,  Op.17, #2, first 24 bars.
␈↓"β
␈↓"β␈↓ α∧␈↓        4.  Chopin, Mazurka #49, in f,  Op.68, #4, all.
␈↓"β
␈↓"β␈↓ α∧␈↓        5.  Chopin, Prelude in e,  Op.28, #4, all.
␈↓"β
␈↓"β␈↓ α∧␈↓        6.  Chopin, Prelude in f␈↓βS␈↓, Op.28, #8, all.
␈↓"β
␈↓"β␈↓ α∧␈↓        7.  Chopin, Prelude in f,  Op.28, #18, all.